Of Course there are more Year End Lists!

So I made it through the entire last 4 months of the year with exactly 3 days of illness, right up to New Year's Eve, when I was suddenly, unbelievably, violently ill. So rather than at a party with friends, I spent the last moments of the year freezing in my bathroom. I have absolutely the worst luck.

Anyways, I'm mostly recovered now. So what do we do? We write more year end lists!

First up: Critical Movie List!

Now that I've seen all the movies I plan on for 2007, I can hand out the imaginary awards in my mind. I missed several of the big award movies this year (noticeably - American Gangster, No Country for Old Men, and Charlie Wilson's War) but that doesn't slow me down a bit. Everything gets 5 nomination slots, one winner.

Best Motion Picture
Juno
Atonement
Michael Clayton
Lars and the Real Girl
Sweeney Todd

Notes: In my mind it's a three way race for #1 (Juno, Atonement, and Todd), and it was ridiculously hard to pick out the two lesser movies that made the cut on the best list. I eventually gave the bump up to the two movies with the most impressive acting. Also, it kills me that Zodiac couldn't make the cut.

Winner: In an utter battle royale, I give the win to Atonement, for sheer longlasting value. It's just amazing and it will stand the test of time, whereas I think Juno won't age quite as well, even if I would much prefer to watch Juno multiple times currently.

Best Director - Motion Picture
Tony Gilroy - Michael Clayton
David Fincher - Zodiac
Neil Jordan - The Brave One
Tim Burton - Sweeney Todd
Joe Wright - Atonement

Notes: Jordan gets in by sheer lack of impressive candidates, since I didn't see any of the big director movies this year (American Gangster, No Country, and Into the Wild). This one is more a foregone conclusion than most, although I want to go on record as saying that Joe Wright did amazing things with Atonement, particularly the long shot at Dunkirk, which in any other year would have won him the award in a heartbeat.

Winner: But I was enthralled by Sweeney Todd, and almost entirely due to the direction. Tim Burton wins in a walk, for using his style without apology in a way that utterly enhances a story that is a perfect fit for it. Almost a stacked deck, in my opinion, but it's a textbook rendition of excellent direction.

Best Actor - Motion Picture
James McAvoy - Atonement
Ryan Gosling - Lars and the Real Girl
Johnny Depp - Sweeney Todd
Joseph Gordon-Levitt - The Lookout
George Clooney - Michael Clayton

Notes: I'm allowed my vices - Joseph Gordon-Levitt was flawless in that movie and I will not hear a word against him. And I atone for the preferential treatment of him by putting Clooney in there, even though I don't like him. I recognize a good performance when I see it. But man, seriously, I really don't like him.

Winner: McAvoy appeared at the end and gave him a run for his money, but Ryan Gosling still takes it. An amazing job - I swear, the movie would have been horrible had anyone else in the world had his part.

Best Actress - Motion Picture
Kiera Knightley - Atonement
Ellen Page - Juno
Helena Bonham Carter - Sweeney Todd
Kerri Russel - Waitress
Jodie Foster - The Brave One

Notes: This was the year for women's performances I loved. I would have no problem giving this to any one of the five without a second thought. Even Kerri Russel, who seems like the odd-woman-out up there until you think about her performance in Waitress and realize that she carried a complex movie on her shoulders without making it look like work. It nearly kills me to pick just one.

Winner: Helena Bonham Carter. I can't in good conscience give it to anyone else, although Page and Knightley are so close here that they can taste it. Just an uncommonly great year. But Knightley gets a lot of help in her movie from McAvoy and all the actresses who play Briony in Atonement, so she has a lesser degree of difficultly. And Page is just the opposite - she has the toughest job of all, since her character is written with such hard to swallow dialogue that her performance is elevated just because of what she had to work with. But Carter plays her role so perfectly - she gets Depp to work against, but also has to run the gamut of emotion, humor, and singing. I feel good with her as the big winner.

Best Supporting Actor - Motion Picture
Tom Wilkinson - Michael Clayton
Jeremy Sisto - Waitress
Paul Schneider - Lars and the Real Girl
Alan Rickman - Sweeney Todd
Chris Cooper - Breach

Notes: Another tough one, as there are so many options (let's all take a moment to mourn Robert Downey Jr.'s exclusion for Zodiac). Sisto gets a nod for bringing untold levels of menace and character to a role that is so confusingly written, while Schneider gets one for having to play the straight man in the least comedic comedy in a long while. Both are hard roles, but for me it's a straight up dead heat between Chris Cooper and and Tom Wilkinson. Both had difficult parts that could make or break their respective movies...

Winner: But Chris Cooper gets the win in my mind, for elevating his movie from good to great based solely on his performance (Michael Clayton could stand on its own, as we'll soon see). Breach isn't winning a ton of awards by any measure, but he makes what could be an incredibly dull movie riveting, just in the character he creates.

Best Supporting Actress - Motion Picture
Jennifer Garner - Juno
Saoirse Ronan - Atonement
Tilda Swinton - Michael Clayton
Emily Mortimer - Lars and the Real Girl
Romola Garai - Atonement

Notes: How much did I love Briony in Atonement? Yeah, two perfect performances there, by two different people. We're just lucky Vanessa Redgrave was only onscreen for, like, 5 minutes or we would have serious issues. A quick word of sadness that Emily Mortimer won't get a second of recognition for her great work in Lars, despite how perfect she was.

Winner: Because this is a knockdown, drag-out fight between Garner and Swinton, who are both the actual best things about both of their movies. But I give it to Swinton, hands down. She just has so little to work with, but is flawless throughout the whole movie. I love her so much in this part. (Garner gets a ton of help from the screenplay in her role, just because it gives her so much to work with.)

Other Quick Ones:
Best Screenplay - A fierce but short battle between Juno and Atonement, with Juno taking it by a hair. Even though I think the dialogue is trying at times, it's hard to do comedy and characters well, and the writing there really is great. I'm glad there will be two categories at the Oscars, though, so they can both win there.

Best Original Score - Atonement. Full stop. Just great.
Best Animated Feature - Ratatouille (I mean, come on.)

Whew. Now I'm exhausted, and I haven't even gotten to TV. This list making thing really takes it out of you. We'll see if we can't get more out later on.