Been in a music buying frenzy lately, and thought I'd do a public service announcement on what to buy and what to ignore. Because I definitely know what I'm talking about when it comes to music. (Please note: I have no idea what I'm talking about, but I do like to type a lot.)
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Far, Regina Spektor - I cannot give an unbiased review of this album. It includes the songs "One More Time With Feeling" (my old favorite Regina song) and "Dance Anthem of the 80's" (the song that I heard live back in '06 which started my terrifying fan obsession), so I have no objectivity.
That said, even attempting to pretend impartiality, I think it's a very, very good album. It opens brilliantly with the catchy songs "The Calculation" and "Eet" (which I think are the two standout songs on the record). It get you hooked before you know it and the album slides on with a nice pace, alternating the slower, deeper songs with the more upbeat ones, making a nice layering effect to the thematic idea of the album. The only thing I find out of place is "The Wallet," which is a great song and one of my favorite things she sings live, but it feels jarringly trifling at the end of such a strong album.
As with Begin to Hope, I think the same unfair criticism will be leveled at Far - it's more commercially viable (read: mainstream), more produced, resulting in less original flavor Regina. I agree with the viability and the production, but if anything, this album has more personality Begin to Hope and a couple of the songs rival what we saw on Soviet Kitch. Undoubtedly there are more mainstream things here: "Laughing With" is generic enough for radio play, I sincerely believe "Eet" will end up as the "Better" of this album, and "The Calculation" and "Dance Anthem" both scream commercial to me.
But right at the same time you've got "Folding Chair," which is the quintessential Regina quirk song (there are dolphin noises involved), and "Blue Lips", which is insanely lyrically dense. Basically, I can never figure out what people are on about, but I assume it's cool hate on the popular and say you knew them when, and it was so much better, and lalala. Whatever, it's good stuff.
(Note: As much as I prefer buying music from Amazon over iTunes, get it off iTunes if possible, since the bonus tracks are amazing. While it's short, "Riot Gear" is my favorite song on the whole album.)
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Lines, Vines, and Trying Times, The Jonas Brothers - I don't even know what to say to this album. It's so varied - the theme is obviously the Trying Times part of the title - but musically it's all over the map; you've got country, rock, pop, even a little rap. Despite many of the songs not being my cup of musical tea ("What Did I Do To Your Heart" sounds like a 90's Shania Twain reject, and "Don't Charge Me For The Crime" is gangsta-rap-ultra-lite) I think it's a good album, but it's nothing that you need to go out of your way to hear.
I was shocked how much I liked their last album - it was slickly produced and unbelievably catchy without being too Disney Teen Bop, or only a little bit so (plus some of the songs were just plain good). This album continues that theme in some ways for the better - this is a more mature sounding and better produced album in almost every regard, and it actually has some real-world playable music on it (as long as you never reveal that to anyone that it is the Jonas Brothers who are singing).
Some of it is a little juvenile, though: after listening to "Fly With Me", I sincerely wonder if they've forgotten that Peter Pan sort of doesn't have a happy ending (which seemingly negates the message of the song). And while I enjoy a good Taylor Swift smackdown as much as the next person, I really could have done without the eternally lame "Much Better" ("I'm done with superstars/and all the tears on her guitar, I'm not bitter") Uh, yeah, good luck with that.
On the whole, it's around 6.5 out of 10. Maybe more, depending on how long this "Paranoid" single remains lodged in my brain (seriously, it's really good).
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Ray Guns Are Not Just The Future, The Bird and The Bee - Such a nice album. I've become sort of an electro-pop glutton lately (Bitter:Sweet, Animal Collective, Lykke Li, Imogen Heap...) so I like to think that I'm starting to be able to tell the difference between something that's just catchy and something that's genuinely good, as electronica goes. This is a really great mixture of the two - standout catchy tunes like "My Love" and "Polite Dance Party," and then some songs that some measure of real interest hiding in them like "Meteor" and "Love Letter to Japan."
Not world-breaking, but a delight nonetheless.
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Beautiful Lie, Ed Harcourt - Get your music snob on. UK release from 2006 that got a US distribution in 2008 to little recognition. This album and Matt Alber's Hide Nothing are my go-to joys for obscure but amazing male singer/songwriters this year. To steal a line, this album is hauntingly beautiful. Goes a little too far on a couple of tracks, particularly "You Only Call Me When You're Drunk" which starts brilliant but then keeps spiraling upwards to a messy and terrible crash, but mostly it's a stunning achievement and kind of makes my heart hurt at times.
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Transmitter Failure, Jenny Owen Youngs -Another one of those biased reviews. Her last album, Batten the Hatches, is my favorite thing that came out of 2007 and I have an irrational love for the way she writes her songs. There's a cynical but reasoned edge to almost every song on that album that really speaks to me.
The new album is a little more driving and a little happier, but the edge is still definitely in place. Her uptempo stuff is just brilliant, with "Last Person" and "Clean Break" as my standout favorites. I'm less in love with a couple of the fragile songs ("Here is a Heart" is a little too cloying and "Nighty Night," while catchy, is off-putting to me), but that's just because I compare them to things like "Woodcut" or "Voice on Tape" from the last album and see missed potential. Make no mistake, it's a wonderful album, maybe my favorite of the whole year so far.
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